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The Radio X Indie Night with Rich Wolfenden 7pm - 11pm
10 January 2025, 16:14 | Updated: 10 January 2025, 16:21
Radio X walks the highways and byways of the world to discover Classic Rock's most iconic locations: from The Beatles and Bowie to Led Zeppelin and Pink Floyd.
Producer George Martin's original idea for the cover photo of the Fab Four's debut album was to have the musicians pictured at the insect house at London Zoo, but the ZSL turned him down. In the event, the band were pictured in the stairwell at their record label EMI's Central London offices at 20 Manchester Square, Marylebone. Photographer Angus McBean lay on his back in the entrance of the building to get the iconic shot, which has been parodied countless times since - not least by The Beatles themselves, who recreated the image in 1969 for their unreleased "Get Back" album.
An outtake from the original 1963 shoot and a 1969 version of the pose were used as the sleeve photos for the 1973 compilations The Beatles 1962-1966 and 1967-1970. EMI moved out of the building in 1999 and the block and was refurbished in June 2024 to become a seven-storey office complex.
Perhaps the most famous cover to feature a London location, the Fab Four's last recorded album created a landmark out of the EMI studios at 3, Abbey Road, St John's Wood. The shot shows George Harrison, Paul McCartney, Ringo Starr and John Lennon walking across the zebra crossing outside the studio where they'd made history.
Thankfully, the crossing has been given Grade II listed status by English Heritage, meaning it can't be tarmacced over, although Westminster City Council thinks that the original path was moved slightly in the years following the album's release.
Abbey Road remains a world-renowned recording facility to this day, with recent albums from The Cure, Coldplay and Shed Seven being recorded or mastered at the studios.
Brian Ward shot a murky black and white photo of a flu-ridden David Bowie outside his studio in Heddon Street, between Regent Street and Saville Row. The image of the Starman was later colour-tinted for the album cover that made Bowie into a superstar.
Today the doorway is an entrance to an office block, while the street outside has been pedestrianised and now forms the plaza outside a Piccolino restaurant.
A mystical image for Zeppelin's fifth album, created by Aubrey Powell of design team Hipgnosis from images of the basalt columns of the natural wonder the Giant's Causeway in County Antrim. When the required posed photo wasn't achieved on location, Powell saved the day by combining different shots of children Stefan and Samantha Gates in various poses to complete one surreal montage.
Designer Peter Corriston held up the release of Zeppelin's sixth studio album when his intricate design for an album cover with die-cut windows proved to be trickier to produce than he'd first anticipated.
The cover photo features two blocks in the East Village of New York City's St Mark's Place and the cut-out windows feature such notable figures as astronaut Buzz Aldrin, Elizabeth Taylor and Lee Harvey Oswald. The sleeve was nominated for a Grammy Award for "Best Recording Package", but lost out to Honey by Ohio Players.
Corriston had further fun with die-cut sleeves on the Rolling Stones' Some Girls album three years later, while Mick Jagger and Keith Richards visited 96/98 St Mark's Place for the video to Waiting For A Friend in 1981.
Built in 1912, this iconic Mediterranean Revival styled building was the natural location to depict the Californian rock band's fantasy guest house. Elizabeth Taylor spent six of her eight honeymoons there and the Rat Pack made it their favourite watering hole. In January 2025, the Beverly Hills Hotel offered refuge to those fleeing the horrific Los Angeles wildfires.
Photographer David Alexander stood in a cherry picker to get the iconic cover shot, but the hotel itself wasn't so keen on the unauthorised image. Sleeve designer John Kosh told Rolling Stone: "Lawyers threatened me with a ‘cease and desist’ action, until it was gently pointed out by my attorney that the hotel’s requests for bookings had tripled since the release of the album."
Roger Waters was inspired to include the iconic Battersea Power Station on the cover of Floyd's tenth studio album after living near the building during the recording period. The 40 foot inflatable pig slipped its moorings on the second day of shooting - it landed in Kent - and the final product was a combination of the sky from earlier photos, plus a superimposed piggy balloon, taken by Howard Bartrop. In 2025, of course, the former power station is home to luxury apartments and designer shops.
The London punk band's debut album featured a cover photo by Kate Simon of Joe Strummer, Mick Jones and Paul Simonon stood on a trolley ramp just outside their rehearsal rooms in Camden Market, by the lock. The ramp has since been replaced by steps.
The cover of The Jam's second album sees the trio of Paul Weller, Rick Buckler and Bruce Foxton photographed by Gered Mankowitz under the imposing structure of the Westway road in West London. In the background, you can see two of the tower blocks on the Silchester estate, Markland and Frinstead House.
"Silver rain was falling down upon the dirty ground of London town" sang Macca in his ode to the capital. The album of the same name featured a shot of Wings - which at the time comprised of Paul and Linda McCartney plus Denny Laine - in front of the imposing suspension bridge that spans the Thames, completed in 1894. The photo of the group was in fact a composite of three different portraits, put together by Aubrey Powell and George Hardie, aka the design team Hipgnosis. Nowadays, you can get married in the walkway that connects the two towers!