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The Evening Show with Dan O'Connell 7pm - 10pm
15 October 2022, 15:00
Which bands hit the ground running first time out? Here's our selection of the greatest debut albums in indie and rock history from Arctic Monkeys to Bjork.
Effortlessly fusing dancefloor rhythms with classic jangle guitar, plus a soupçon of psychedelia, this supremely confident debut was an instant classic from the ponderous I Want To Be Adored to the closing I Am The Resurrection.
Weezer were almost a reaction to grunge. American rock made by the REAL outsiders – the nerds and the geeks, given a voice via the medium of power chords and singalong choruses. Rivers Cuomo’s persona was a fascinating meld of mathematics student and idiot savant and the hits (The Sweater Song, Buddy Holly) sit comfortably alongside some great album tracks (In The Garage, Surf Wax America).
Sometimes quiet and vague, sometimes tense and angry, Bloc Party’s opening salvo is a fully rounded creation with such great songs as Helicopter, So Here We Are and Banquet. The compositions are so strong, they released a remix album that’s every bit as good as the original.
Literally, a generation-defining debut album. It ushered in Britpop, Cool Britannia and took the country out from the shadow of American-dominated rock. And what tunes! Supersonic, Live Forever, Cigarettes And Alcohol, Slide Away…
Young Manchester punks lift off into space and create their own sonic landscape. Endlessly influential from the sparse, evocative cover to the looming baritone of the tragic singer Ian Curtis, the songs are dark thumbnail sketches.
Where it all began. Young Yorkshiremen with attitude fronted by the greatest lyrical talent since Morrissey. Top tune: I Bet That You Look Good On the Dancefloor.
The New York post-punk revivalists issued their excellent debut album in 2002, which included PDA, NYC, Untitled and Obstacle 1.
Lots of people were recycling old post-punk Gang Of Four riffs in 2004, but when Take Me Out dropped that year, we knew we’d heard something special. The classic, choppy guitar action on the album is accompanied by Alex Kapranos’s gentlemanly vocals, investigating romantic affectation and social ennui perfectly on songs like The Dark Of The Matinee, Michael and This Fire.
Straight out of the traps came the Brighton duo with this ferocious collection of noise meeting melody. It hit the Number 1 spot in the album charts, too... Best moment: The swagger of Little Monster.
We’d say that the Followills were “fresh-faced” when they made the aptly-named Youth And Young Manhood, but this is the Kings at their hairiest: leaving their Southern home behind, but wearing their roots on their sleeves. From the opening Red Morning Light, through Molly’s Chambers and California Waiting, this is classic rock and roll.
Watching Florence Welch evolve from performance artist to genuine pop diva has been a fascinating phenomenon, with Lungs the first step on the journey. What started as a conceptual project gained form and substance with Welch’s distinctive voice. The multi-layered sounds on tracks like Rabbit Heart (Raise It Up) and Cosmic Love make this a rewarding listen, with the excellent cover of You Got The Love a fine showstopper.
Cooped up in plastic Las Vegas, Brandon Flowers and his like-minded bandmates looked to the music of the UK for their inspiration. Hot Fuss is a compendium of the greatest moments of British rock through an American eye: sardonic, sincere, glamorous indie rock and roll. Songs include Mr Brightside, Somebody Told Me and the anthemic All These Things That I Have Done.
Rock and roll seemed dead and buried at the turn of the century, but these New Yorkers took the codes and cliches of the genre and gave them a Chelsea-booted kick up the arse. Hard To Explain, Last Nite, The Modern Age… all calls to arms for a new era.
Tom Smith’s gruff baritone led many to pin Editors as some kind of gloom merchants, but this impressive debut is full of uplifting and athemic moments. The singles Bullets, Munich and Blood all ring with Chris Urbanowicz’s distinctive guitar and even at their bleakest – All Sparks, for instance – their music stirs the soul.
After finding fame with the Icelandic indie collective The Sugarcubes, Björk Guðmundsdóttir became an interntaional star in 1993 - although she'd been a child star, this was her first "official" solo outing. Debut is packed with beautifully-crafted songs like Venus As A Boy and Big Time Sensuality, while the singer worked with producer Nellee Hooper to hone a particularly individual dance-orientated sound in Human Behaviour and Violently Happy.
When everyone was giving love to the new wave of post punk (or whatever we called it), Carl Barat and Pete Doherty gave a solid riposte to The Strokes and their ilk with this defiantly British album. The pair believed in a Time For Heroes and tapped into the dreams of the romantic poets and the low-rent appeal of punk, coupled with some peerless songwriting.
They’d previously tried and failed as Parva, so the Kaiser Chiefs project seemed like a last chance for the Leeds-based band. But with skilled producer Stephen Street, they produced an album of witty, keenly-observed and memorable tunes: Oh My God, I Predict A Riot, Everyday I Love You Less And Less are all great singles, while album tracks like Born To Be A Dancer and Saturday Night expand on their weary but often hilarious philosophy.
It was a debut, but it was also their swan song. A band as reviled and revered as much as the Sex Pistols were too volatile to live and they were on their way out by the time their debut appeared. It was almost a full stop after a string of epochal singles, but John Lydon’s lyrical preoccupations were given free reign on album tracks like Bodies, New York and the record industry-bashing EMI.
Suede were caught in the tidal wave of Britpop, but they always had that outsider vibe. Brett Anderson took the androgynous posturing of Bowie and the ambiguous lyricism of Morrissey and created something remarkable, with the help of guitar wunderkind Bernard Butler. Classic moments include So Young, Animal Nitrate and that provocative front cover.
In 1987, heavy rock music was poodle-haired Americans in lycra, ludicrous posturing and an unhealthy obsession with "chicks", Satan and having a good time, all the time. Enter GN'R, who brought a piece of gritty LA realism, a teaspoonful of punk and a streetwise attitude to the genre. Classic moments: Paradise City, Sweet Child O'Mine, Mr Brownstone, Nightrain, the lot, basically.
Three New York posh boys chuck their guitars, take up hop hop and sample classic rock riffs, courtesy of producer Rick Rubin. Best moments: (You Gotta) Fight For Your Right (To Party), No Sleep Til Brooklyn.
While dance music was veering off into rave territory, Bristol had a new direction to take: trip hop. The spine-chilling voice of Shara Nelson gives tracks like Unfinished Sympathy and Safe From Harm an unearthly lift. This was a bold, affecting and game-changing debut.